Age, Biography and Wiki
Steve Gadd is an Australian drummer, percussionist, and composer. He is best known for his work with Paul Simon, Steely Dan, Eric Clapton, Chick Corea, and many other artists. He has been active in the music industry since the late 1970s. Gadd was born in 1957 in Tasmania, Australia. He began playing drums at the age of five and was soon performing in local bands. He moved to Melbourne in the late 1970s and began working with some of the city's top jazz musicians. Gadd's career took off in the early 1980s when he began working with Paul Simon. He played on Simon's albums Hearts and Bones and Graceland, and toured with him in support of both albums. He also worked with Steely Dan, Eric Clapton, Chick Corea, and many other artists. Gadd has won numerous awards, including a Grammy Award for Best Pop Instrumental Performance for his work on Paul Simon's "Late in the Evening" in 1981. He has also been inducted into the Modern Drummer Hall of Fame and the Percussive Arts Society Hall of Fame. As of 2021, Steve Gadd's net worth is estimated to be roughly $10 million.
Popular As | N/A |
Occupation | Musician, mentor, composer |
Age | 66 years old |
Zodiac Sign | N/A |
Born | , 1957 |
Birthday | |
Birthplace | Tasmania, Australia |
Nationality | Australia |
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Steve Gadd Height, Weight & Measurements
At 66 years old, Steve Gadd height not available right now. We will update Steve Gadd's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Height | Not Available |
Weight | Not Available |
Body Measurements | Not Available |
Eye Color | Not Available |
Hair Color | Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Parents | Not Available |
Wife | Not Available |
Sibling | Not Available |
Children | Not Available |
Steve Gadd Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Steve Gadd worth at the age of 66 years old? Steve Gadd’s income source is mostly from being a successful . He is from Australia. We have estimated Steve Gadd's net worth , money, salary, income, and assets.
Net Worth in 2023 | $1 Million - $5 Million |
Salary in 2023 | Under Review |
Net Worth in 2022 | Pending |
Salary in 2022 | Under Review |
House | Not Available |
Cars | Not Available |
Source of Income |
Steve Gadd Social Network
Timeline
Gadd has served as either a program director or festival director for The Franklin Apple Harvest Festival, The Cygnet Folk Festival, and The Taste of The Huon Festival. At the 2012 Australian of the Year Awards Gadd was a state finalist as a Local Hero for Tasmania.
Gadd and Marjorie are the co-compilers and publishers of Tasmanian Heritage Apple Shed Tune Book (January 2004), which contains 254 tunes. On the Fiddle (2010), was co-authored by Gadd, Marjorie and Peter MacFie. It details the life and music of colonial fiddler Alexander Laing (1792–1868). Gadd has contributed to several other collections of original and tradition Tasmanian music. He was also a Contributor to Veranda Music, a seminal book on traditional Australian musicians.
Steve Gadd (born 1957) is a Tasmanian folk musician, teacher and composer. He is also a collector, transcriber and advocate of local traditional music. At the 2012 Australian of the Year Awards Gadd was a state finalist as a Local Hero.
Steve Gadd was born in 1957 in Tasmania. His interest in local folk music has led to a career as a musician and mentor. Gadd on guitar, with his wife, Marjorie Gadd, on violin, recorded traditional dance music from 1850 to 1950, which was released on CD as Real Island Roots in 2002. It was mixed and mastered at Huon Delta Studios, Franklin, by Geoff Francis and self-released by the Gadds. Czardas, a Romani music group, with Gadd on guitar, vocals and darbuka; Marjorie on violin; and Erin Collins on vocals; recorded an album, In a Vision, in 2003. It was also mixed and mastered by Francis.
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